ONGAKUGAKU Vol. LXIX(2) (2023)
Cultural Pluralism in Mitsukuri Shūkichi’s Theory of Godowasei (Quintal Harmony): Toward a Musical League of Nations
YASUKAWA Tomoko, CHEONG Wai-Ling
pp. 81-96
Sublimity and Force: On the Intellectual Background of the J. F. Reichardt’s Report on a Crescendo Experience
OKANO Hiroshi
pp. 97-110
The Correlativity between Prosodic and Musical Modifications in the Revision of Simon Boccanegra
HAYASHI Inori
pp. 111-125
On the Concepts of “Oneness” and “Mind Manipulation” in the Creation of Sesshu Kai around 1970: Focusing on the First Movement of his Music for Mezzo Soprano and Flute
HARA Rui
pp. 126-144
Research Note and Report
pp. 145-150
Book Reviews
pp. 151-160
The 74th Congress of the Musicological Society of Japan
pp.161-193
Reports on the Regional Meetings
pp. 194-196
Constitutions
pp. 197-
ONGAKUGAKU Vol. LXIX(1) (2023)
On the Development of Sixteenth Century Figurative Madrigals: A Study of Baldassare Donato’s Il secondo libro de madrigali a quattro voci (1568) and the Willaertian Madrigals
SUGANUMA Kiichi
pp. 1-15
Transposition of Music of Cosmos: J. Ratzinger and Church Music in Times of “Crisis”
SHIMIZU Yasuhiro
pp. 16-30
The Interaction Process between the Singing Culture of the Merchant Marine Schools and the Culture of Folk Tunes in Japan: The Case of “Shiragiku-no-Uta [Song of the White Chrysanthemum] ”
SATO Yukako
pp. 31-49
Fortsetzung oder Abbruch: Eine politische Bewertung über den Zusammenhang zwischen deutscher Jugendmusikbewegung und der Musikarbeit in der Hitler-Jugend
MAKINO Hiroki
pp. 50-63
Book Reviews
pp. 64-68
Reports on the Regional Meetings
pp. 69-70
Doctoral Dissertations in Musicology (2022)
pp. 71-