ONGAKUGAKU Vol. LXX(1) (2024)
The Use of the Octatonic Scale in Relation to the “Mother Chord” in the Works of Toshio Hosokawa: An Analysis of his Works for Large Instrumentation in the 1990s
MIYAKAWA Wataru
pp. 1-16
La dualité de la « belgitude » culturelle dans des écrits sur les chansons populaires au début du XXe siècle
OSAKO Chikako
pp. 17-31
Ondes Martenot and “Relaxation”: A Study of Execution Methods for Electronic Instruments
OYA Motoko
pp. 32-45
Book Reviews
pp. 46-60
Reports on the Regional Meetings
pp. 61-62
Doctoral Dissertations in Musicology (2022)
pp. 63-65
ONGAKUGAKU Vol. LXIX(2) (2023)
Cultural Pluralism in Mitsukuri Shūkichi’s Theory of Godowasei (Quintal Harmony): Toward a Musical League of Nations
YASUKAWA Tomoko, CHEONG Wai-Ling
pp. 81-96
Sublimity and Force: On the Intellectual Background of the J. F. Reichardt’s Report on a Crescendo Experience
OKANO Hiroshi
pp. 97-110
The Correlativity between Prosodic and Musical Modifications in the Revision of Simon Boccanegra
HAYASHI Inori
pp. 111-125
On the Concepts of “Oneness” and “Mind Manipulation” in the Creation of Sesshu Kai around 1970: Focusing on the First Movement of his Music for Mezzo Soprano and Flute
HARA Rui
pp. 126-144
Research Note and Report
pp. 145-150
Book Reviews
pp. 151-160
The 74th Congress of the Musicological Society of Japan
pp.161-193
Reports on the Regional Meetings
pp. 194-196
Constitutions
pp. 197-