ONGAKUGAKU Vol. LXXI(1) (2025)
Cultural Activities of German POWs at Nagoya Camp (1914–1919): Focusing on the Influence of the Army’s Policy
SHICHIJO Megumi
pp. 1-16
Functions of Greek Pitch Names in the Medieval Musical Treatises during the Formation of Alphabetic Pitch Names
YOSHIKAWA Aya
pp. 17-30
Historical Memory of “Bloody Sunagawa” and Akatombo in the Sunagawa Struggle
KAKOI Masaya
pp. 31-49
How the Vielle à roue Was Played in the Concert Spirituel: As a Pastoral Instrument for Noëls
KIMURA Haruka
pp. 50-63
Book Reviews
pp. 64-84
Reports on the Regional Meetings
pp. 85-87
Doctoral Dissertations in Musicology (2024)
pp. 88-89
ONGAKUGAKU Vol. LXX(2) (2024)
日本におけるフーゴー・リーマンの機能和声理論の受容
西田紘子，仲辻󠄀真帆
pp. 73-89
Music Appreciation Handbooks as Recorded Music Discourses: The Crossover between Music Education and the Record Industry in the Taishō Period
OSHIMA Tetsu
pp. 90-104
Les premières représentations d’opéras de jeunes compositeurs sous le Second Empire français (1852–1870): étude de cas sur le rapport avec le système d’aide aux lauréats du prix de Rome dans les “cahiers des charges” des principaux théâtres lyriques parisiens
OCHIAI Misato
pp. 105-121
Book Reviews
pp. 122-131
The 75th Congress of the Musicological Society of Japan
pp.132-168
Reports on the Regional Meetings
pp. 169-171
Constitutions
pp. 172-175